Once Upon A Time In… Hollywood (2019)

When word began to spread that Quentin Tarantino’s “Once Upon A Time In… Hollywood” would be using practical set dressing to convert Los Angeles back to 1969 block by block, we knew this rare occurrence was something we should capture as much as possible for the fleeting moments it took place.

We typically avoid visiting filming locations while a project is in active production.  There are so many moving pieces, restricted areas and things in the way, it almost always proves best to wait until a production has left.  However, this film proved to be an exception.  Documenting the locations in real time made for a much different, more challenging process.  Some areas, such as Hollywood Blvd, were lined with large crowds actively watching for nights on end.  Other places, such as the Spahn Ranch set, were quite low profile and known to very few.  The locations were so impressive, we’ve deviated a bit from our usual format to show some set dressing and behind the scenes photos.  Not everything made it to camera, so we thought it was worthwhile to showcase the level of detail that went into the project.  While there are some minor spoilers in this article, we did our best to avoid any major ones.

The early scenes of Rick Dalton, played by Leonardo DiCaprio and Cliff Booth, played by Brad Pitt, on the set of “Bounty Law” were filmed at Melody Ranch in Newhall, California.  This is not Tarantino’s first time filming at Melody Ranch.  Some scenes from”Django Unchained” were also filmed there.  Melody Ranch does offer tours to the public, which is a rarity among movie ranches in Southern California.  However, the challenge is that it’s a very popular filming location, often booked for months at a time.  There are only a few opportunities a year you can successfully book a tour and it is typically on very short notice.  Here’s a look at several buildings seen in the film during the “Bounty Law” advertisement.

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LOCATION: 24715 Oakcreek Ave, Newhall, CA 91321

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Rick and Cliff sit down for an interview along the boardwalk in front of this building.  The interior was used extensively as the brothel where Thandie Newton’s character works in “Westworld.”  The interior of this building was also featured in Tarantino’s “Django Unchained,” where Dr. King Schulz has a confrontation with the sheriff.

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Rick and Cliff head to Musso & Frank Grill to meet Marvin Schwarzs, played by Al Pacino.  Musso & Frank Grill is the oldest restaurant in Hollywood, founded over 100 years ago.  The restaurant has popped up in numerous films, including “Ocean’s Eleven,” “Ed Wood,” “Blonde” and “Swingers,” as well as the TV shows “Mad Men” and “Bosch.”

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LOCATION: 6667 Hollywood Blvd, Los Angeles, CA 90028

Rick and Cliff sit at the bar when Marvin first arrives.

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After the meeting, Rick and Cliff head to the parking lot in back and have a quick chat in front of this sign.

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The flashback of Rick crashing his car is in front of the Frolic Room on Hollywood Blvd.  The same bar was used in such films as “L.A. Confidential” and “The Little Things.”

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LOCATION: 6245 Hollywood Blvd, Los Angeles, CA 90028

Rick Dalton lives on Cielo Drive next door to Sharon Tate, played by Margot Robbie.  The real entrance to Cielo Dr is seen multiple times in the film.  The houses seen in the film are not actually located on the real Cielo, but the Tate house is a pretty close representation of what was there in 1969.  Most of Cielo is actually public, but the path up to the former Tate residence is private.  The entrance area seen in the film is visible from the public portion of the road.

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LOCATION: Cielo Dr, Beverly Hills, CA 90210

The actual home used as the exterior for Rick Dalton’s house can be found in a cul-de-sac in Studio City.  It’s actually one of three locations used in the film to composite Rick’s home, as each of the individual locations lacked specific features needed for the story.  The Studio City home was used extensively, however, with many scenes recognizable to it.  Unlike Cielo Dr, Alto View Dr is a public road.

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LOCATION: 10969 Alta View Dr, Studio City, CA 91604

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The driveway is featured in many scenes in the film, with a large painting of Rick placed on the left side.

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Here is the front entrance of the home.  The door was painted green in the film.

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Rick’s pool overlooking the city is a real pool at the home.

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Here is an alternate view of the pool, along with the area where Rick stores his flamethrower.

As Rick is memorizing his lines for an upcoming role at his pool, the camera shifts over to the Tate/Polanski house, which is a geographically accurate shot.

The house next door serves as the home of Sharon Tate and Roman Polanski.  The home is a departure from how the real house on Cielo appeared, but it serves Tarantino’s story well. This is actually one of two locations used for the home. We cover the second location later in this article.

LOCATION: 10974 Alta View Dr, Studio City, CA 91604

Here is a view of Rick Dalton’s house on the right and the Tate/Polanski gate on the left.

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Here’s a closer look at the gate to the Tate residence.

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Here is the area where Charles Manson, played by Damon Herriman, parks a Twinkies delivery truck.  Cliff observes him from the roof as he goes looking for Terry Melcher.

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Here is the road leading into the cul-de-sac of the Dalton and Tate/Polanski residences, which is seen a few times in the film.

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After dropping Rick off at his home, Cliff drives at high speeds down Hollywood Blvd as he heads home.

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LOCATION: Hollywood Blvd, Los Angeles, CA 90028

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Here is Brad Pitt waiving to the crowd on the street.

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Tarantino acknowledging the crowd of onlookers as well.

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Here’s a deeper look at the set dressing around Hollywood Blvd, which was completely transformed back to 1969 for the film.

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Cliff’s trailer, supposedly located on the grounds of the Van Nuys Drive-In Theatre (a real drive-in theater long since closed), was a combination of two locations.  The drive-in sign was built by the production at the Saugus Speedway in Santa Clarita, which now serves as the site of the Santa Clarita Swap Meet.  Cliff drives past the white fencing and enters here.

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LOCATION: 22500 Soledad Canyon Rd, Santa Clarita, CA 91350

The camera cranes up over the sign, which was a creation of the production and we’re seamlessly transported to a second location.  The drive-in itself is the Paramount Drive-In Theaters.

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LOCATION: 7770 Rosecrans Ave, Paramount, CA 90723

Sharon Tate and husband Roman Polanski attend a party at the Playboy Mansion.  This was filmed at the real former Playboy Mansion.  The property sits in a residential neighborhood and if you didn’t know what you were looking for, it would be very easy to drive past without any idea.  It should be noted from the street you can mostly just see the front gate. Since the passing of Hugh Hefner, the property has transitioned over to new owners, into a place for corporate functions, private events and film and television production, as well as undergoing substantial renovations.

LOCATION: 10236 Charing Cross Rd, Los Angeles, CA 90024

Sharon dances in the back area on the left, near the grotto. The mansion has appeared in countless films, such as “The House Bunny,” “Beverly Hills Cop II,” “Charlie’s Angels: Full Throttle,” the 2014 version of “The Gambler,” “The Phantom” and many more.

After the party at the Playboy Mansion, the film cuts to morning at the home of Roman Polanski and Sharon Tate. This is not the same home in Studio City seen earlier in the film. Roman is seen sitting in the back yard with his dog. This home can be found in Tarzana and was painted red for the film. It sits right next to another filming location; the winding road seen to the left of the frame was featured prominently in “Licorice Pizza.”

LOCATION: 19471 Rosita St, Tarzana, CA 91356

The scene where Cliff fights Bruce Lee supposedly takes place on a studio backlot. In reality, it was filmed at a high school, with heavy set dressing added to make it appear like a backlot. The school is Excelsior High School in Norwalk, which was also featured in the film “Grease 2.” Cliff sits outside of Rick’s trailer, which is parked in this lot. Randy, played by Kurt Russell, speaks with Rick in his trailer and reluctantly agrees to hire Cliff onto the stunt team.

LOCATION: 15711 Pioneer Blvd, Norwalk, CA 90650

Here is the area where the fight between Cliff and Bruce Lee takes place.

Janet, played by Zoë Bell, comes across the two men sparring and insists Cliff be fired on the spot.

The Manson Family girls are introduced digging through the dumpsters at the Super A Foods market.  The same market was seen in the films “A Star Is Born” and “Crossroads.”

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LOCATION: 2924 Division St, Los Angeles, CA 90065

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It’s difficult to see, but the actresses playing the Manson girls, including Harley Quinn Smith, are gathered by the dumpster in the center of this shot.

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The Manson girls then walk away with their haul, making their way past this mural of James Dean from the film “Giant.”  This was located at a pharmacy just across the street from the Super A Foods market. It was added by the production and is unfortunately no longer painted on the actual location.

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LOCATION: 2922 Division St, Los Angeles, CA 90065

Here’s a look at some more of the shoot from Super A Foods.

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Cliff and Rick stop at this intersection, where Cliff first sees Pussycat, played by Margaret Qualley, crossing the street with the Manson Family girls.

LOCATION: Corbin Ave / Greenbriar Dr, Los Angeles, CA 91356

While driving, Cliff again spots Pussycat sitting in front of the Pandora’s Box nightclub looking for a ride.  Pandora’s Box was a real nightclub in West Hollywood, which was at the center of protests over a curfew in 1966.  The building was eventually demolished in 1967.  For the film, the production recreated the former nightclub at Jospeh’s Cafe on Ivar Ave.  Here’s a view of when the production was setting up for the scene.

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LOCATION: 1775 Ivar Ave, Los Angeles, CA 90028

From the reverse view at the same location, Cliff can be seen in his car with the Capitol Records building in the background.

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Here’s a couple more shots from when the Pandora’s Box shoot was prepping.

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On her way to the theater, Sharon picks up a hitchhiker on Wilshire Blvd.

LOCATION: Near the intersection of Wilshire Blvd / S Beverly Glen Blvd, Los Angeles, CA 90024

Sharon parks in this lot and parts ways with the hitchhiker.

LOCATION: Near 972 Gayley Ave, Los Angeles, CA 90024

Sharon stops by the Bruin Theater to watch herself in the film “The Wrecking Crew” with Dean Martin.  The Bruin is still in operation, though the marquee is now digital.  Fatboy Slim’s music video for “Praise You” shot in front of the same theater.

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LOCATION: 948 Broxton Ave, Los Angeles, CA 90024

The Fox Theater right across the street is also seen in several shots.

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LOCATION: 961 Broxton Ave, Los Angeles, CA 90024

Here’s a closer look at the Fox Theater, with the finished marquee for the film.

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Here is the view across the street from the Bruin Theater, when it was dressed for filming.

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Here is the exterior of the book store Sharon Tate visits.  It’s not a book store in realty, but this is what it looked like when it was fully dressed.

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LOCATION: 10909 Weyburn Ave, Los Angeles, CA 90024

This travel agency was also seen in the film.  It was another creation of the production and not an actual travel agency.

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Here are some more views of the area when production was in progress.

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Cliff takes Rick down Hollywood Blvd and they pass the famous Pantages Theater.

LOCATION: 6233 Hollywood Blvd, Los Angeles, CA 90028

Cliff runs into Pussycat once again in front of Jackalope Pottery in North Hollywood.

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LOCATION: 10726 Burbank Blvd, North Hollywood, CA 91601

Here is the area when filming was taking place.  It was overflowing with crew at the corner.

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Just across the street, Quentin Tarantino stood on the right, along with Rick Dalton’s car on the street.

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Cliff heads onto the freeway with Pussycat, turning from Hollywood Blvd onto the 101 northbound ramp.

LOCATION: US-101 northbound ramp, near Hollywood Blvd / N Van Ness Ave, Los Angeles, CA 90028

Pussycat takes Cliff to Spahn Ranch, which was a very accurate recreation built at Corriganville Park in Simi Valley.  Originally the production hoped to film at the real Spahn Ranch, but due to the fact that the entrances were bulldozed over, it made the land difficult for building sets.  Much like Spahn Ranch, the nearby Corriganville is also a former movie ranch which hosted many westerns in during the 1950s and 1960s, before being destroyed by widlfires.  The land now operates as a public park, but there are many signs explaining the land’s film history and the frames of the old buildings are still in the ground.

The Spahn Ranch set took a couple months to build, but when it was finished, it shot very quickly and was demolished just a few weeks later.  Having done plenty of research on the real Spahn Ranch and The Manson Family long before this film was ever announced, we were quite well versed in the subject matter.  Standing in person at what was a near exact, full scale replica of Spahn Ranch remains one of the most memorable location experiences we’ve ever had.  The production design and attention to detail was incredible.  If you go there now, it’s empty land again, but here we’ll take a look at when the set existed.

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LOCATION: 7001 Smith Rd, Simi Valley, CA 93063 (Spahn Ranch sets now demolished)

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George Spahn’s house plays a key role in the scene, as Cliff insists on speaking with the old man, played by Bruce Dern.

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Some more views of the Spahn house.

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Here is a view of the front of the Spahn set, including the famous truck.  The signs for the Longhorn Saloon and Rock City Cafe are spot on to the original ranch.

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Here is the horse stable area where Clem sits on the fence.

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Here are some more views around the ranch.

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After leaving Spahn Ranch, Cliff picks up Rick in front of the Columbia Pictures building. This is actually in front of Paramount Pictures Studio Tour building.

LOCATION: 5515 Melrose Ave, Los Angeles, CA 90038

Rick is photographed with a new love interest in tow at a restaurant, supposedly located in Rome, Italy.  This is actually the Cicada Restaurant in Downtown Los Angeles. The interior is also seen in another scene of Marvin Schwarz calling Rick as he sits at the bar.  The restaurant has been featured in numerous films, such as “Mank” “Pretty Woman,” “Mr. & Mrs. Smith,” “Indecent Proposal,” “Suicide Squad” and “Bruce Almighty,” as well as such TV shows as “Mad Men, “The Morning Show” and “American Horror Story.”

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LOCATION: 617 S Olive St, Los Angeles, CA 90014

Rick returns from Italy with his costar.  The couple is seen walking past the wall tiles of Terminal 6 at LAX Airport.  These tiles can be found along the pedestrian tunnel in the lower level and are only accessible to airline passengers and staff, as they make their way to baggage claim or the exits.  Tarantino also filmed Pam Grier in this area in the opening of “Jackie Brown.”

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LOCATION: Terminal 6, 1 World Way, Los Angeles, CA 90045 (lower level, arrivals area)

In the third act, a montage of businesses are shown turning on their neon lights as night falls, leading up to the conclusion of the film.

An old Taco Bell is also shown.  This was located much further south in Tunstin.  The building was abandoned and the production came and made it look like an operational Taco Bell from 1969.

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LOCATION: 14232 Newport Ave, Tustin, CA 92780

The famous Cinerama Dome in Hollywood is seen next.

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LOCATION: 6360 Sunset Blvd, Los Angeles, CA 90028

The Vine Theater on Hollywood Blvd is also seen.  This was part of the production design for when Cliff is seen driving home early in the film.

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LOCATION: 6321 Hollywood Blvd, Los Angeles, CA 90028

The Supply Sergeant sign is also seen illuminating.  This remains an active business on Hollywood Blvd. The same sign can be seen in the film “Savage Streets.”

LOCATION: 6664 Hollywood Blvd, Los Angeles, CA 90028

Chili John’s in Burbank is also briefly seen.

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LOCATION: 2018 W Burbank Blvd, Burbank, CA 91506

Der Wienerschnitzel is actually a taco stand today, which the production altered to make it appear like it did back in the 1960s.

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LOCATION: 1910 W Pacific Coast Hwy, Long Beach, CA 90810

Sharon Tate, Jay Sebring, Abigail Folger and Voytek Frykowski have dinner that evening at the El Coyote restaurant.  This is where the real people ate that night and the film shot at the actual location.

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LOCATION: 7312 Beverly Blvd, Los Angeles, CA 90036

Here is a view of the front entrance of El Coyote, which remains in business to this day.

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Rick and Cliff have dinner at the same evening at Casa Vega in Sherman Oaks.

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LOCATION: 13301 Ventura Blvd, Sherman Oaks, CA 91423

The location actually appears twice in the film, with one of the booths inside also standing in as a restaurant supposedly in Spain.

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We leave you with Quentin Tarantino’s hand and foot prints in front of the Chinese Theater on Hollywood Blvd.  While in no way a filming location, we felt it was nevertheless fitting to include.

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LOCATION: 6925 Hollywood Blvd, Hollywood, CA 90028

It was a unique experience walking through 1969 with the production and we hope these photos help you share in that experience.  There’s actually many locations we captured where the production shot, but were not featured in the final film.  Perhaps there will be a longer or alternate cut someday.  For now, we’ll keep to the places that made it into the film.

Related articles: Reservoir Dogs (1992), Pulp Fiction (1994), Jackie Brown (1997), Kill Bill (2003), Django Unchained (2012)

2 thoughts on “Once Upon A Time In… Hollywood (2019)

  1. I want to thank you for this article and the photos.
    I worked on just about every location used for this movie. I’m a subcontractor that does electrical work on locations, that all the studios and production companies use for film and television. I worked from The beginning of June 2018 until January of 2019 on that movie. I did the lights for Musso and Frank interior and exterior, the power for the lighting of the transformation of the Pussycat, the Vine and Cinerama Dome, I did the pool lighting at Ricks house the interior of Sharon Tate’s, the exterior of Rick’s, the Der Weinerschnitzel lights, the Supply Sergeant neon, Musso and Frank neon on rooftop and back parking lot, some electrical work and lights at Pandora’s Box, the lights on exterior of the Super A market, Paramount drive in, lighting in Marvin’s screening room, lights in the lobby of the Bruin theater, lots of lighting on Hollywood Blvd, in Westwood on the streets, and on and on ….
    I was able to get some photos of my own but the shoot was so secretive and we weren’t allowed to tell anyone what project we were working on.
    One of the running jokes between the crew was telling onlookers who asked what we were filming was to say it was a mayonnaise commercial.
    So much detail went into making this movie that will never be noticed or appreciated because viewers these days are so used to everything being CGI won’t know that what they are seeing is old school movie magic shot on real film and with the talents of the art department, electric, locations, stunts, transportation, and every other crew and department that it takes to make a real movie.
    It was an intensively shot, meticulously detailed, incredibly long hours for months on locations in every part of L.A. county. For me to have to be in downtown L.A. in the morning for 3 or 4 hours then go to Long Beach for a few hours then be in Hollywood for a few hours and then Studio City for a few hours in one day was normal. 12 hour days were normal, 16 hour days were common and 18 hour days frequently were my work days and that was 6 or 7 days a week usually.
    A lot of scenes got cut and things we worked on for a week or two were for a 10 second or 20 second scene.
    I’m honored and proud to have been part of the making of that film. I just would have liked to have gotten an on screen acknowledgement. I put in as much or more time than a lot of people and my job was and is very critical to all production that I work on, I’ve had to “save the day” quite a few times, and got home after working 14 hours only to get a phone call at midnight telling me I need to get to a location an hour away to fix some electrical problem that is holding up the shooting of a scene. I get paid well, but I’d exchange some of that pay for some credit in print.
    Maybe someday. I’ve only been doing this kind of work for six years now on mainly big budget film and TV productions. You’d think I would get some mention at the end of the credits. I’m not complaining though, just putting it out there.

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    • Thanks for sharing your story and insights! I got to visit many of the sets in person and I can attest to how amazing it all looked. I also got to photograph many locations either omitted or shown very little in the film, such as Toluca Lake and Sebring’s salon. I didn’t feature those photos in the article (yet), since the footage has yet to be released. If the rumors are true of an extended cut, it would be great to see those scenes put back in. I’m sorry to hear you did not receive a credit in the film, especially given how much you worked on it. I hope that changes on future projects.

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